Unit 2 – Families and Celebrations: Transforming a Text

 

Writing and Performing the Scene

You have been provided copies of a literary text to transform into a dramatic text. Using the appropriate structure for drama, rewrite (transform) the text into a scene that demonstrates the content and conflict(s) captured in the original text. Stay true to the tone and intention of the original author, but transform the text into scene that can be performed while conveying the same intentions of the original author.

 

Writing a Scene: include title, original author’s name, and new authors’ names. Note: no narrators allowed.

  1. Include a description of the “at rise” moment – what the stage looks like and what the characters are doing before the first line.
  2. Follow the format for writing a play, with character names followed by dialogue. You may provide additional information to help readers and viewers see who these characters are through the actors who play them.
  3. Include stage directions and descriptions or indicators of how lines are to be said.
  4. Be consistent with the character presented in the original text. Be sure to include some of the cultural words and phrases (when appropriate) that you saw in the original text to best align your transformation with the original.
  5. Please type final draft of scene. Provide me a copy on the day of rehersal.

_______________________________________________________________________________________

 

Performing a Scene: After writing your script, be sure that all your group members have a copy.

.

 

_______________________________________________________________________________________

 

Reflection: After you perform your scene, write a reflection by answering the following questions.       

             Please type, double space, and follow normal expectations for formal writing.

 

  1. What role did you take in this group assignment? What did you do to fulfill that role? How well did you do in executing your responsibilities?
  2. Overall, how well did your group work together?

 

Scoring Criteria: you will be assessed in two ways 1) as a member of a group through your performance, 2) as an individual through your reflection, and 3) as a supportive audience member.

 

 

Performance & Script

All group members are prepared to perform, mostly off-book or memorized, and demonstrate exceptional effort and focus throughout the duration of the performance. Characters are unique and expressive. Script is reflective of original text, dialogue enhances and enlivens performance, and purposeful stage direction is incorporated.

 

Group members are prepared; some may rely too heavily on the text during performance. Effort is shown, but lacks drive and focus. Characters are flat and lacking in expression. Script is adequately tied to original text. Dialogue is present, stage direction is used. 

Some group members are unprepared. More than two performers rely too heavily on text. Effort is lacking and characters are monotone. Furthermore, characters demonstrate little difference from student.

Script veers from original and dialogue lacks believability. Stage direction may cause confusion or be used inconsequentially.

Reflection

Reflection clearly identifies student’s roles as group member. It is honest and meaningfully explains student’s behavior throughout group process. Student also identifies significant challenges and successes as well as what he/she has learned from each.

 

Reflection adequately identifies student’s roles. It explains student’s behavior. Challenges and successes identified lack significant insight. There is little reflection about the learning process in regard to challenges and successes.

Reflection lacks honest or meaningful assessment of behavior and roles taken. Challenges and successes are not clearly identified and little to no reflection is added about the learning process.

Audience Skills

As an audience member, student is meaningfully attentive and respectful.

As an audience member, student is sometimes disengaged and does not act receptively.

As an audience member, student is frequently and/or deliberately disengaged or disruptive.