Hooked on Classics
Classics that Endure www.flickr.com/
…….and New Works Inspired
Regardless of how
educators debate what books are best taught at the high school level, the
classics of The Western Canon have stood the test of time and have inspired
other high quality prize winning writing for both adults and young adults.
Whether you believe in the expanding definition of the canon….
A librarian offers a fresh perspective
on introducing great literature to teens
By Holly Koelling
-- School Library Journal, 12/1/2005
….or you believe in
the canon as described by Bloom or your passion for books lies somewhere in
between the two, there should be some great book choices listed here for you
and for your students.
The Western Canon
by Harold Bloom
Compiled
by Robert Teeter
A.
The Theocratic Age
Since the
literary canon is at issue here, I include only those religious, philosophical,
historical, and scientific writings that are themselves of great aesthetic
interest. I would think that, of all the books that are in this first list,
once the reader is conversant with the Bible, Homer, Plato, the Athenian
dramatists, and Virgil, the crucial work is the Koran....
"I
have included some Sanskrit works, scriptures and fundamental literary texts,
because of their influence on the Western canon. The immense wealth of ancient
Chinese literature is mostly a sphere apart from Western literary tradition and
is rarely conveyed adequately in the translations available to us."
(Bloom, p. 531)



Gilgamesh the King is Robert Silverberg at his brilliant best. Using as
his armature the life of Gilgamesh, the Sumerian god-king who actually lived
some 5000 years ago, Silverberg has wrought an epic tale destined to become a
contemporary classic. This story is myth and magic; it is the story of fame,
nobility, and mortality. It is sorcery, mysticism and adventure. From Amazon
The Middle Ages: Latin, Arabic,
and the Vernacular Before Dante
The New Arabian
Nights (19th Century setting)
Robert Louis
Stevenson

A fourteen-year-old thief, Mitra, and her little brother Babak
join the magus Melchior's caravan after Babak starts
to prophesy through dreams, prompting Melchior and two other magi to set out
for Bethlehem, where a child has been born in a stable. Author Fletcher
prevents that monumental occurrence from overbalancing the narrative by keeping
the scale human, cleaving solely to Mitra's point of
view. Mitra's involvement in the event at Bethlehem
turns personal only during Herod's massacre of the innocents, when Babak's dreams and Mitra's own
troubled conscience compel her to take action. Written in a natural
first-person voice with loving attention to the sounds, smells, and tastes of
the
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Beowulf
Beowulf’s Inspiration in Graphic Novel and Retellings Through
the monster’s eyes….
Beowulf initiated a legacy
of fantasies like this popular YA series:
The Ranger’s
Apprentice Series by John Flanagan
A strong debut in a new
fantasy series. Will hopes to become a knight; instead, he winds up as a
Ranger's apprentice, joining the secretive corps that uses stealth, woodcraft,
and courage to protect the kingdom. His aptitude and bravery gradually earn the
respect of his gruff but good-hearted master. When the kingdom is attacked by
evil magic forces, Will helps track down and defeat a couple of particularly
nasty beasts. This closing episode sets the stage for a good-versus-evil war
that will likely be at the heart of future volumes. In this opener, though,
most of the story focuses on the learning process that Will goes through as an
apprentice. Descriptions of Ranger craft are fascinating. Exciting
confrontations with bullies and wild boars help to establish the boy's emerging
character. Side stories involving a rival Battleschool
apprentice and the identity of Will's father are woven in smoothly. The author
occasionally spells things out more than is needed when actions demonstrate
them clearly enough. However, the well-paced plot moves effortlessly toward the
climax, letting readers get to know the world and the characters gradually as
excitement builds. The public adoration Will gains at the end seems slightly
overdone given the established distrust people feel for Rangers, but it's still
a pleasing finish and should leave readers eager to share the future adventures
of the Ranger's apprentice.-Steven Engelfried,
Beaverton City Library, OR Copyright 2005 Reed Business Information.
"It is a span of five hundred years from Dante's Divine Comedy
through Goethe's Faust, Part Two [1321-1832], an era that gives us a huge
body of reading in five major literatures: Italian, Spanish, English, French,
and German. In this and in the remaining lists, I sometimes do not mention
individual works by a canonical master, and in other instances I attempt to
call attention to authors and books that I consider canonical but rather
neglected. From this list onward, many good writers who are not quite central
are omitted...."
(Bloom,
p. 534)
·
Dante
The Divine Comedy: The
Inferno
Some of Picoult's best
storytelling distinguishes her twisting, metaphor-rich 13th novel (after
Vanishing Acts) about parental vigilance gone haywire, inner demons and the
emotional risks of relationships. Comic book artist Daniel Stone is like the
character in his graphic novel with the same title as this book-once a violent
youth and the only white boy in an Alaskan Inuit village, now a loving,
stay-at-home dad in Bethel, Maine-traveling figuratively through Dante's
circles of hell to save his 14-year-old teenage daughter, Trixie.
Copyright 2005 Reed Business Information.
Library Journal
Copyright 2002 Reed Business Information.
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The erudite and entertaining Ackroyd
brings 1380s
Chaucer set his people on the road, but there's no actual
pilgrimage in Ackroyd (The Plato Papers, 2000, etc.),
whose characters pretty much stay in
Thoroughly captivating: the whole medieval panorama
re-achieved by a modern, with all the atmosphere of the old.
Le Morte D'Arthur
"In those old days, one
summer noon, an arm
Rose up from out the bosom of the lake,
Clothed in white samite, mystic, wonderful,
Holding the sword—and how I row’d across
And took it, and have worn it, like a king"
From La Morte D'Arthur by :
~ Alfred, Lord Tennyson, 1809–1892 ~




By Favorite Authors:
Jane Yolen Kevin
Crossley-Holland
Stephen R. Lawhead
Focus on: Mordred Elaine of Ascolat
Sir Gawain
Gulliver's
Travels




Don Quixote